Stop The Presses!

Print is dead.

…well, maybe not just yet.

A recent article in the Wall Street Journal ( cites sales figures by claiming that in the past quarter (April-June 2010) they sold more e-books than hardbacks  (by hardbacks they mean hardcovers rather than mass market paperbacks). In the month of June, 2010, Amazon sold 180 Kindle books for every 100 hardcover books, leading us to pose several questions:

  • Are people converting to e-readers in significant numbers? 
  • Is this actual growth in the industry (ie. more literature consumed) or simply a dog eat dog world where revenue gained by e-readers is revenue lost by real world publishers with a zero sum total? 
  • Finally, are we witnessing a paradigm shift away from physical books to digital content, much like the C.D. made tapes, records and 8 tracks irrelevant, or is it simply a parallel venue by which the reader can get his or her fix?

Everyone quoted in the article seems to agree that it’s too early in the game and that only time will tell.  While still considered a “niche product”, the growth of e-reader sales has made booksellers take a serious look at this new technology    Heather Reisman,  CEO of Indigo Books and Music Inc. isn’t taking any chances that digital reading might be a flash in the pan. 

Another article (also at by Geoffrey A. Fowler and Marie C. Baca attempts to analyze the reading habits of people who buy e-readers and what impact they will have on traditional print.

Some statistics cited:

  • By September 2010, 11 million Americans are expected to own at least one digital reading gadget (Forrester Research)
  • U.S. e-book sales grew 183% when comparing the first half of 2010 to the corresponding time period last year and there was a 176% increase in U.S. electronic book sales in 2009.  (Association of American Publishers)
  • 52% of e-books (according to the study) were purchased while 48% of their e-books were free.  (Side note…just got a free copy of Pride and Prejudice downloaded on my Kindle.  The same book in paperback costs $11)
  • 66% of American libraries offer e-book loans; in 2005 it was only 38% (American Library Association)

The article goes on to explore the habits of e-reader readers and their reasons for making the switch or complimenting their regular reading habits with a bit of new technology.  The best answer seems to be portability.  Why carry around ten books when you can carry around a compact device that can hold thousands?

So, back to the questions.

Are people converting to e-readers in significant numbers? 

  • 11 million Americans is certainly a significant number…and growing.

Is this actual growth in the industry?

  •   Too soon to tell, but my opinion is that eventually a balance will be found between digital and physical forms of reading. 

Are we witnessing a paradigm shift away from physical books to digital content? 

  • Maybe?

People are always going to want to hold physical copies of their favourite reads.  Much has been made of e-readers and their effect on hardcover sales, but there will always be that dedicated fan of an author or series who will want to display their works as a point of pride.  However, I would not recommend apprenticing to be a Pressman anytime soon.

Quirk Classics


Quirk Classics certainly lives up to its name.

A quirky (pun very much intended) little publishing house, Quirk Classics has found its niche bridging the gulf between cultured literature and pop culture.  In other words, they’ve blended the classics with modern kitsch to create both a Frankenstein like creature and a new genre of fiction.  Or, as they put it, “To enhance classic novels with pop culture phenomena.”

A Monster Mash of sorts (Classical Mash?), they’ve filled the need (and based on the plethora of copycat novels apparently there was one) in readers for a new look at such titles as Pride and Prejudice (Pride and Prejudice and Zombies), Sense and Sensibility (Sense and Sensibility and Sea Monsters), and (hey, why not?)…Anna Karenina (Android Karenina).

Their modus operandi is to grab up a public domain title (apparently Jane Austen is an easy target), get an author to add and subtract text…but just enough to alter the storyline without destroying the original…and voila!  Elizabeth Bennett becomes not so much an old maid looking for a Husband but rather a kick ass undead rekilling machine! Marianne Dashwood is courted by a fellow who resembles Davy Jones much more than an English Dandy.  And Anna Karenina…well, who wouldn’t love a Russian epic…now with more androids!

However, Quirk is not averse to original fiction…as long as it follows the formula of combining genres.  The first foray into 100% original fiction was a prequel to P&P&Z called Dawn of the Dreadfuls, an amusingly horrifying tale of the Bennetts’ daughter’s coming of age in a world beset by the undead.  Quirks latest publication is Night of the Living Trekkies, an oddball blend of Science Fiction and Zombies, Sci Fi conventions and mayhem (okay, that’s probably not a stretch), and virgins and…well…more virgins I guess…