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About gutenbergsson

A blog of books, publishing, technology, authors and the history (and future) of the printed word.

Stop The Presses!

Print is dead.

…well, maybe not just yet.

A recent article in the Wall Street Journal (WSJ.com) cites sales figures by Amazon.com claiming that in the past quarter (April-June 2010) they sold more e-books than hardbacks  (by hardbacks they mean hardcovers rather than mass market paperbacks). In the month of June, 2010, Amazon sold 180 Kindle books for every 100 hardcover books, leading us to pose several questions:

  • Are people converting to e-readers in significant numbers? 
  • Is this actual growth in the industry (ie. more literature consumed) or simply a dog eat dog world where revenue gained by e-readers is revenue lost by real world publishers with a zero sum total? 
  • Finally, are we witnessing a paradigm shift away from physical books to digital content, much like the C.D. made tapes, records and 8 tracks irrelevant, or is it simply a parallel venue by which the reader can get his or her fix?

Everyone quoted in the article seems to agree that it’s too early in the game and that only time will tell.  While still considered a “niche product”, the growth of e-reader sales has made booksellers take a serious look at this new technology    Heather Reisman,  CEO of Indigo Books and Music Inc. isn’t taking any chances that digital reading might be a flash in the pan. 

Another article (also at WSJ.com) by Geoffrey A. Fowler and Marie C. Baca attempts to analyze the reading habits of people who buy e-readers and what impact they will have on traditional print.

Some statistics cited:

  • By September 2010, 11 million Americans are expected to own at least one digital reading gadget (Forrester Research)
  • U.S. e-book sales grew 183% when comparing the first half of 2010 to the corresponding time period last year and there was a 176% increase in U.S. electronic book sales in 2009.  (Association of American Publishers)
  • 52% of e-books (according to the study) were purchased while 48% of their e-books were free.  (Side note…just got a free copy of Pride and Prejudice downloaded on my Kindle.  The same book in paperback costs $11)
  • 66% of American libraries offer e-book loans; in 2005 it was only 38% (American Library Association)

The article goes on to explore the habits of e-reader readers and their reasons for making the switch or complimenting their regular reading habits with a bit of new technology.  The best answer seems to be portability.  Why carry around ten books when you can carry around a compact device that can hold thousands?

So, back to the questions.

Are people converting to e-readers in significant numbers? 

  • 11 million Americans is certainly a significant number…and growing.

Is this actual growth in the industry?

  •   Too soon to tell, but my opinion is that eventually a balance will be found between digital and physical forms of reading. 

Are we witnessing a paradigm shift away from physical books to digital content? 

  • Maybe?

People are always going to want to hold physical copies of their favourite reads.  Much has been made of e-readers and their effect on hardcover sales, but there will always be that dedicated fan of an author or series who will want to display their works as a point of pride.  However, I would not recommend apprenticing to be a Pressman anytime soon.

Quirk Classics

 

Quirk Classics certainly lives up to its name.

A quirky (pun very much intended) little publishing house, Quirk Classics has found its niche bridging the gulf between cultured literature and pop culture.  In other words, they’ve blended the classics with modern kitsch to create both a Frankenstein like creature and a new genre of fiction.  Or, as they put it, “To enhance classic novels with pop culture phenomena.”

A Monster Mash of sorts (Classical Mash?), they’ve filled the need (and based on the plethora of copycat novels apparently there was one) in readers for a new look at such titles as Pride and Prejudice (Pride and Prejudice and Zombies), Sense and Sensibility (Sense and Sensibility and Sea Monsters), and (hey, why not?)…Anna Karenina (Android Karenina).

Their modus operandi is to grab up a public domain title (apparently Jane Austen is an easy target), get an author to add and subtract text…but just enough to alter the storyline without destroying the original…and voila!  Elizabeth Bennett becomes not so much an old maid looking for a Husband but rather a kick ass undead rekilling machine! Marianne Dashwood is courted by a fellow who resembles Davy Jones much more than an English Dandy.  And Anna Karenina…well, who wouldn’t love a Russian epic…now with more androids!

However, Quirk is not averse to original fiction…as long as it follows the formula of combining genres.  The first foray into 100% original fiction was a prequel to P&P&Z called Dawn of the Dreadfuls, an amusingly horrifying tale of the Bennetts’ daughter’s coming of age in a world beset by the undead.  Quirks latest publication is Night of the Living Trekkies, an oddball blend of Science Fiction and Zombies, Sci Fi conventions and mayhem (okay, that’s probably not a stretch), and virgins and…well…more virgins I guess…

Crusade: book two of the Destroyermen Series

Crusade: Taylor Anderson (Roc Books, 2008; 395pp.)

Crusade is the  sophomore novel in the Destroyermen series by Taylor Anderson and a welcome addition to the story he began back in 2008.  Equal parts naval fiction in the vein of Douglas Reeman, and alternate history in the vein of Harry Turtledove, Anderson has created a unique World where evolution took a right turn and chose Saurians to become the dominant species on the planet.
 
Before we begin, a little recap.  Into the Storm recounts the story of the men of  U.S.S. Walker, a worn out World War One era destroyer of the Pacific fleet, fleeing the onslaught of Japanese forces shortly after the start of World War Two.  Harassed by a Japanese Battlecruiser, she and her sister ship Mahan sail into a strange squall in an attempt to escape certain destruction, only to find themselves transported to what would be described as an alternate Universe, one where human society never evolved.  No modern cities, no modern technology, and no humans.  However, they are not alone.
 
In a land much like Sir Arthur Conan Doyle’s Lost WorldAnderson’s characters contend with deadly sea creatures that make any foray into the water a certain death, and once on shore, the danger comes in the form of many species of dinosaur.  During the course of their search for human inhabitants, they come across a massive sailing vessel, home to a species of creature that resembles a walking, talking Lemur, engaged in mortal combat with what appear to be British warships of the sailing age.  However, these are no English privateers they fight, but rather the saurian counterpart to the “Lemurians”, a species of sentient dinosaur modelled on the velociraptor known as the “Grik”, and exhibiting their same ferocity.  It seems the Lemurians have fought a holding action against the Grik for millenia, and both societies have benefitted from previous encounters with humankind.  The Grik have taken technology in the form of fighting ships, and the Lemurians in the form of “sacred” navigational charts and the language of their priestly sect … namely, Latin.
 
 Needless to say, the humans of the story are forced by circumstances and ideology to side with the Lemurians versus their common enemy while they resupply and repair their damaged vessels and decide on what to do next.  In the meantime, the  Americans train their Lemurian counterparts in the art of war, and attempt to advance the Lemurian’s technology to the point where their inferior numbers might be able to hold their own against the Grik hordes and maybe even go on the offensive.
 
In the second volume the Americans have managed, through a lot of ingenuity and a little luck, to put Walker back in a fighting trim and assure themselves a dedicated source of fuel.  They’re well on their way to fortifying the Lemurians against the inevitable Grik invasion and creating a fighting force of home-grown (Lemurian) troops, when a new threat arises.  The Amagi, a Japanese battlecruiser, has also been caught up in the transition, and Amagi’s captain has allied his forces with the Grik.  It’s an alliance of convenience  to be sure, but tips the scales in the favour of the Grik.  With the help of the Japanese, a massive  invasion force is coming, with the expressed purpose of wiping out the Lemurian race.  In a sequence of events that parallels the early stages of the war in Pacific, it’s up to the Americans and their two tiny destroyers to fight a holding action until the Lemurians can be ready for the inevitable fight.
 
So, what’s not to like?  Anderson has drafted a great tale of ingenuity against adversity, and goes to great lengths to examine the problems (and their solutions) incurred by the protagonists of the story.  For instance, in this new world, there are only a couple of hundred humans, of which six or so are female.   Integration with the local society becomes an issue, especially in the face of a lack of female comfort, and there’s a stirring scene in which the sailors deal with one of their own who breaks the rules of civilized society.
 
And then there’s the problems associated with technology.  The destroyers are hundreds of years in advance of any local technology, but suffer from the problems of resupply and repair.   How are they to be fueled and resupplied with ammunition once it’s been expended?  In a world where basic metallurgy is in its infancy and the combustion engine isn’t even a thought on the horizon, their solutions are ingenious, and at times…a little unbelievable.  However, Anderson makes it work. 
 
One note of disappointment in an otherwise thoroughly enjoyable book.  The Japanese characters (by the end of this book) have not been fully fleshed out, and remain caricatures, much like any of the Nazi thugs in an Indiana Jones movie.  Hopefully he will expand on their story in the third volume, entitled Maelstrom.  All in all, Anderson has written a page turner and taken his place amongst the greats in the genre of alternate history. 
 
As mentioned in my earlier post on his first novel, there’s a great interview with Taylor Anderson about the Destroyermen series on Peter Hodge’s website.  Maelstrom is out in paperback April 6, 2010.
 
 

Quirks Classics: Pride and Prejudice and Zombies:Dawn of the Dreadfuls

Pride and Prejudice and Zombies: Dawn of the DreadfulsWhile scrolling on-line today for reviews of Pride and Prejudice and Zombies:Dawn of the Dreadfuls by Steve Hockensmith, I came across a well thought out review on Den of the Geek!  From there, it was a quick jump to Quirk Classics to check out the rest of their inventory and discover that their next adorable abomination will be a new take on Tolstoy’s Anna Karenina, only with Robots!  Well, androids actually, hence the title…Android Karenina by Leo Tolstoy and Ben H. Winters.

I’m sure some are mortified by Quirks take on such classics, but they’re a campy and fun addition to both the Monster Mash genre and an if you look at it with the right frame of mind…an homage to the originals.

And it has such a lovely trailer…

Von Neumann’s War

Von Neumann’s War :Travis S. Taylor (Baen Books, 2008; 522 pp.)

Man has always seemed to have a fascination with our closest neighbour.  Little green Men from Mars have been a staple of Science Fiction (both literary and film) since, well, forever.  My (and I suspect everyone’s) first experience with this phenomenon was H. G. Wells, The War of the Worlds (1898).  Amazing guy…already plotting the destruction of life as we know it at the hands of our Martian neighbours, 71 years before Man landed on the moon.

Since then, the idea of invasion from above has been a staple of written fiction and film.  War of the Worlds was updated to modern times by Douglas Niles (War of the Worlds: New Millenium) and rewritten as an account from the eyes of H.G. Wells by Gabriel Mesta (The Martian War).  In film, there was the classic War of the Worlds and the less than classic remakeMars Attacks spoofed the idea and Harry Turtledove spun the idea on its head with man intruding on Mars (A World of Difference)…although he sets it in an alternate Universe and substitutes the fictional planet of Minerva for Mars.

Now Travis S. Taylor and John Ringo have spun a worthy tale about invasion by our Celestial neighbours in Von Neumann’s War.

A little background…in the near future, astronomers discover that the surface Albedo (how strongly an object reflects light from  a light source such as the sun) of Mars is shifting from the familiar Red spectrum to something much more gray.  Several probes on the planet, such as NASA’s Mars Exploration Rovers, have gone disconcertingly silent, raising alarms within both the defense and scientific community around the World.  NASA is tasked with developing a new probe for a fly by in a ridiculously short period of time, but using off the shelf parts and a fair bit of ingenuity, they manage to get a mission underway…only to have it destroyed within seconds of reaching the outer atmosphere of Mars.  Alarmed, both the Military and Scientific communities team up in efforts to prepare for what appears to be imminent (relatively speaking) invasion.  Within months the same effect is observed on the Moon, and with a little help from the Hubble Telescope, the nature of the threat is determined.

Von Neumann machines have come…and they are not friendly.

These self replicating machines have been stripping the Solar System of any metal both to repair and replicate themselves, and it seems that Earth’s turn has come.  Helicopters, jeeps, tanks, jet aircraft; none have any usefulness in combatting such a foe.   So, what to do when you’re facing a nemesis  light years (literally) beyond your technology who eats pretty much any weapon system you might throw at it? 

Well, the answer is…you get innovative pretty damn quick!

That’s much of the fun of this novel…reading the inventive ways in which the protagonists combat an enemy which is essentially invulnerable to any weapon system mankind has created within the last century.  The protagonists become creative with their weaponry…paint ball guns firing plastic explosives…ceramic bullets, aircraft, and engines…advanced laser technology…and frankly, once in awhile…a good old stick. 

So, is it a good book?  Definitely.  Yet there are a few flaws.  The characters have a tendency to come up with the technology needed to combat the machines  in an inordinately short period of time.  Furthermore, the climax of the novel revolves around a “God in the Machine” moment, in which one character (whose back story is nicely ramped up during the course of the novel) finds that “fatal flaw” that delivers the “Hail Mary” moment that kind of irked me.  It’s not even the solution that irks…but rather the swiftness with which the problem is solved.  And finally, it could use a damn good glossary of terms.  DARPA anyone?

However, if you are a Sci-Fi junky looking for your next fix of planetary devastation…then this is the book for you.

(Note:  Travis Taylor has put a lot of thought into the idea of Alien invasion and defense from such.  For further (serious) reading on the subject, try An introduction to Planetary Defense: A Study of Modern Warfare Applied to Extra-Terrestrial Invasion)

Illegal Alien

Here’s a little Sci-Fi gem for you…Illegal Alien by Robert J. Sawyer.

Written in 1997, Illegal Alien is not the story of migrant workers working under the radar in America, but rather a story of first contact between humanity and an alien race know as the Tosok…and the resulting murder trial.  Ahem, what? 

When a small craft lands in international waters, the United States scrambles to quickly get a representative on-scene, in the form of Clete Calhoun, astronomer and celebrity host of PBS’ “Great Balls of Fire”, a documentary show akin to Carl Sagan’s “Cosmos: A Personal Journey.”  He and Frank Nobilio, the presidential science advisor manage to Intuit the blinking lights atop the craft as an attempt at communication, and very shortly, they have an honest to goodness alien life form to chat with.

It seems that the alien, who introduces himself as “Hask”, is the caretaker of an interstellar exploratory probe from the neighbourhood of Alpha Centauri whose crew has travelled to Earth to “introduce” themselves.  However, these explorers fell victim to an accident while traversing our Solar System which damaged their craft and killed one of their crew.  In exchange for access to mankind’s manufacturing capacity, the Tosok offer an exchange of technology that could propel the human race light years (no pun intended) beyond where we’re at now.

And then Calhoun ends up dead, murdered in a fashion that can only be explained by the use of alien technology, and Hask is the prime suspect.  From there, the story revolves around the resulting trial and the implications of arresting not only a foreign diplomat, but one whose race could literally wipe out humanity.

Written shortly after the Simpson murder trial, Sawyer inserts many similarities to the trial, from a Cochranesque defense attorney by the name of Dale Rice, to a cameo by Marcia Clark.  Rice is a slippery lawyer, determined to mount the best defense in the face of what seems to be incontrovertible evidence, and his character is used by Sawyer as a device to explore the American judicial system and the sometimes inconceivable outcomes of such as the Simpson trial.  However, rather than being an open and shut murder mystery, the plot makes a radical twist towards the end, revealing a  plot more sinister than simple murder…

Unfortunately, at the moment Illegal Alien is out of print, but if you get a chance to buy a secondhand copy, or read it at the local library, you won’t be disappointed.

(Update:  As of December 1st, 2009, Illegal Alien is again in print)

American Gods:An Odyssey.

AmericanGods_MassMarketPaperback_1185415388Belief is a powerful concept.  A loaded concept.  One man’s belief can be anothers heresy, and belief has been the driving factor behind most historical events, both eminently Good and supremely Evil.  Belief fueled the race to land a man on the Moon, the Civil Rights Movement, and the virtual eradication of many diseases.  It has also resulted in the Jim Jones Massacre, Slavery, and the  insane ideologies of both Fascism and Communism…two world views that have demonstrably  cost more lives in the past century than any Religion.  Yet we all yearn to believe in something, whether it be secular or metaphysical…even the Atheist has faith in something…or rather…nothing.  We need belief, in ideas, in movements, in various Deities.  Without belief, life would be empty and meaningless. 

Neil Gaiman decided to look at the the opposite side of the coin, asking, “what if these various Gods and ideas we pray to need our belief just as much as we do?”  What if their very existence depends on our belief and that without it, they wither and die?  Furthermore, what if, in these days of science and technology, the old Gods were being superseded by the new: Gods of Television, Fashion, and all those things we worship in our everyday life without even realizing it?   Finally, what if they decided the World was not big enough for the both of them?  American Gods is that story.

Gaiman’s novel tells the story of a war between those ascendant (the new Gods of Science and Entertainment) squared off against the diminished (think of the Norse, the Greek, the Egyptian…any Gods no longer actively believed in but relegated to mythic status) in a land that does not hold room (or belief) for both.  It is told through the eyes of one human participant, aptly named Shadow, an ex-con down on his luck.  Recently released from prison only to find his wife is dead, Shadow expects to live a listless existence, no longer caring about the world at large.  He’s not really alive, it’s just that he hasn’t died yet, and when a mysterious grifter going by the name of “Wednesday” makes him a simple offer, he reluctantly agrees…after all, he’s got nothing better to do.

During the course of his travels with Wednesday, Shadow interacts with almost the entire Pantheon of human belief, from the old Gods Odin, Osiris, and the less well known Anansi,  to the new Gods of Television and Technology.  (Technology himself ironically appears in the form of a pimply teenager, supremely confident in his abilities until he comes across a dead zone for cell signals…a bit of a nod to nerds everywhere)  He comes to find these Gods as vain and petty as man, obsessed with being remembered and desired, and in the midst of the war, finds himself a small part in a con game being played on man and Deity alike.  Yet his small role turns out to be pivotal to the conflict and to thwarting the machinations of those who want neither side to win but are rather more concerned that the conflict take place.  As does his parentage.

American Gods is a masterfully written tale and food for the fantasy junky. 

 (American Gods, William Morrow Publishing: 461 pp.)

Outliers: The Story of Success.

outliers-malcolm-gladwellWhat is it that makes a man or woman successful?  Is it sheer intelligence?  An undefinable drive to succeed?  Or is the difference between a failure and a success belong in such a simple thing as the date of one’s birth?  Maybe  the intensity of their parents involvement in their upbringing?  Simple tradition and social background? Malcolm Gladwell , former business and science reporter for the Washington Post, and staff writer for the New Yorker, attempts (and succeeds) in asking and answering these questions in “Outliers:The Story of Success.” (Little, Brown and Company, 309 pp.)  It’s a convincing argument, that the measure of success can sometimes be found in a person’s heritage (their family), where they were born and raised, and even when they were born. 

For instance, Gladwell looks at the statistics surrounding minor league hockey in Canada, and Soccer in other countries, and comes to the conclusion that those born early in the year have a much greater chance of success in their respective sports.  Now why is this?  Gladwell suggests it’s the result of simple happenstance.  The cut off date for enrollment is January, therefore, the biggest kids  playing will be those born near the start of the year.  That means a lot when one player is physically more mature than another, especially when the changes are more dramatic at an early age.  Put a 10 year old up against a child that won’t turn 10 for another 8 months, and it’s statistically provable that everything else being equal, the older child will have an advantage.  This advantage snowballs when the older player– by virtue of size or coordination that comes with age– gets more ice time, hence more practice, and generally becomes a better player.  Gladwell supports these assertions with a series of tables chronicling certain winning teams and their player’s birth-dates.

Not convinced yet?  Try chapter 3, “The Trouble with Geniuses,” and the story of Chris Langan, the “smartest man in America.”  Here’s a fellow who is a genius, literally, and yet lives a modest life, unable to function in the world of academics.  Gladwell interviewed him about his upbringing, and found that his parents pretty much abandoned their role in guiding his social life.  Chris was smart…brilliant even, but he did not have the social skills to work the system.  Something as simple as applying for academic assistance would simply not occur to him, a guy with a measured I.Q. of between 195 and 200.  He was able to grasp elusive concepts with ease…and yet couldn’t get through college.

Contrasted with Langan was the story of Robert Oppenheimer, another genius and a theoretical physicist best known for his work on the Manhattan Project.  Oppenheimer had a family that was very interested in his upbringing, and even though he proved to have an unstable nature (once he set a poisoned apple on the desk of his tutor), he had the social skills to get himself out of trouble and generally excel.

 Gladwell also has sections on Bill Gates and Bill Joy, computer software geniuses who were given advantages that allowed them to be ready when the opportunity came to be on the ground floor of the computer boom.  Simple things, like access to computer time in an age where it was generally prohibitively expensive, allowed these men to train the magic “10 000” hours that Gladwell posits is the number that guarantee’s proficiency in any field.   There’s even a neat little section on the Beatles and their 10 000 hours in Hamburg!

Another interesting section of the book deals with pilot proficiency and the pilot’s country of origin.  He demonstrates convincingly that different societies create better (or worse) pilots, and it’s all a matter of their societal traits.  A society rigid in hierarchy, such as Brazil or South Korea, will create pilots less willing to question their superiors when they see  a problem, but societies that believe in equality of social standing, such as the United States, will create pilots willing to speak up, and therefore a safer flight environment.  With minute by minute accounts of the crashes of Avianca flight 52  and KAL flight 801, he presents a terrifying example of societal tendencies creating a situation bound for disaster.

Finally, Gladwell examines his own parentage, to try and discover how a family only a few generations removed from slavery was able to excel while those around remained in poverty.  Shockingly, his claim rings true that it had much to do with the colour of their skin. 

Granted, there are three types of lies.  Lies, damn lies, and Statistics.  But if Gladwell is lying with statistics…he’s done a masterful job.

Into the Storm: Book one of the Destroyermen Series

Destroyermen-Book-1-Into-the-Storm-Taylor-Anderson-

History is a funny thing. 

Sometimes momentous changes pivot around the simplest of events.  What if Alexander the Great hadn’t contracted a fever in 323 B.C.?  Or for that matter, if Adolf Hitler had died from the wounds he received as a lowly corporal in World War One.  How would the world have changed?  For the better?  Or worse?  Would Alexander have consolidated his empire, had children and continued his dynasty?  Would Hitler’s early death have saved the world from a second World War, or pave the way for an even more horrifying figure?

 Over the years, alternate History fiction writers have attempted to explore such questions and posit how things might be different if history had gone down the path not taken.  They generally showcase their ideas within the framework of a world very much like ours, but with subtle differences that eventually change things dramatically in a process much like the butterfly effect.

“Into the Storm” is the first of the new “Destroyermen” series by Taylor Anderson, chronicling the exploits of a group of U.S. servicemen aboard the fictional U.S.S. Walker, a World War One era destroyer caught up in the opening moments of the war in the Pacific.  Hounded by the Japanese Navy, Walker and her sistership, Mahan, are seconds from total destruction when they sail into an eerie squall line in an attempt to shake off their pursuers.  Once inside, they suffer from an “effect”, much akin to the plot-line of the movie “The Final Countdown.”  When they finally come out of the storm, the Ocean is quiet, and their pursuers are not to be found.

The captain and crew of Walker cannot account for their miraculous deliverance, and within minutes realize that they’re no longer where they were.  The Ocean’s are filled with fish akin to Piranha, and in short order they discover a group of Japanese sailors harried by what appears to be a Pliosaur!  Slowly they realize that much like Dorothy, they’re not in Kansas anymore, and this new world is a wondrous yet dangerous place.

Soon they must not only contend with their surroundings, but an age old war fought between the dominant species of this brave new world…neither of which is human…

“Into the Storm” is a well paced and intellectually satisfying tale of exploration and war which never leaves the reader bored.  To read an interview with Taylor Anderson by Peter Hodges, you can always look here, and here.  And of course, there are two sequels, “Crusade“, and “Maelstrom”, both out in hardcover.