Four suggestions this #VintageScifi Month

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Take me to your e-reader!

This January marks the eighth year of the #VintageSciFiMonth challenge, in which readers/bloggers read any SciFi book published prior to their birth year and share their thoughts/reviews with the world at large and their peers within the SciFi community. Launched in 2012 by  the Little Red Reviewer over at her blog of the same name, Vintage SciFi Month has been going strong ever since.  It’s a great way to motivate fans to expand their horizon beyond the shelves of the local Big Box bookstore (in my case, the Canadian version of Barnes and Noble, Chapters-Indigo).  A trip to the local used bookstore is pretty much a necessity if you want to find a hidden gem, especially those that may no longer be in print.

Part of the challenge is to read novels that pre-date your birth year, which in my case turns out to be 1972. However, two of my four recommends were published that year, so I’m going to fudge the math a little. And I’m also going to fudge the challenge a bit in that two I have read and the other two are on my to be read list, sitting on the table beside me as I type.

1. Cyborg by Martin Caidin(1972). TBR

How was I to know that The Six Million Dollar Man (a t.v. favourite of mine as a child) was originally based on a novel series?

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Six million dollars seems like a steal these days.

Okay, yes, Wikipedia. But I would have never known to look there without tripping over a physical copy in a used book store. A short internet search turned up three sequels, beginning with the very sinister sounding Cyborg II: Operation Nuke. I was familiar with Caidin’s earlier biography of Japanese fighter ace Saburo Sakai, but oblivious to his Sci-Fi efforts and his contribution to my childhood television viewing. I found this copy two years ago and am looking forward to revisiting the adventures of Steve Austin (the test pilot, not the wrestler) and plan on writing a review once I’m finished.

 

 

 

2.  Damnation Alley by Roger Zelazny (1968) TBR

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While the Wikipedia entry for Damnation Alley lists it as a 1969 novel based on a 1967 novella, my version of his post apocalyptic vision of America lists the copyright as 1968. I suspect most people of a certain age would remember Damnation Alley by way of the 1977 film featuring a young Jan Michael Vincent, George Peppard and Paul Winfield, driving a tricked out RV across an irradiated America, fighting giant mutant scorpions and fleeing flesh eating cockroaches.  The movie plot is only tangentially related to that of the book (the mutated scorpions are in both) and the main character of the novel is a car thief/smuggler rather than the Air Force lieutenant of the movie.

I picked up a copy several years ago from The Book Outlet, a local remaindered books retailer that’s conveniently located about three blocks from my house. It is also on my to be read list.

3.  Roadside Picnic by Arkady and Boris Strugatsky (1972)

img_1498The Strugatsky brothers (Arkady and Boris) collaborated to write this amazing tale of exploration in the aftermath of an alien visitation.

After the Visitation, humanity discovers the extra-terrestrials have left behind a cornucopia of technological wonders in various “zones” that the governments of the world immediately quarantine. These wonders come at a cost, and those “stalkers” willing to risk the dangers of the zone to find and sell artifacts on the black market risk not only their lives but the pernicious effects the objects have on their families and psyche. It’s specifically the story of Red Schuhart as he collaborates with his fellow stalkers in the pursuit of profit (at first) and later to mitigate the side effects of exploring the zone. Told as a series of vignettes detailing Schuhart’s experiences, Roadside Picnic serves as a warning that humanity should be very careful of the unforeseen consequences in the quest for technological knowledge and the desire for profit. The tale of the Golden Sphere is particularly haunting.  I read this early last year and highly recommend.  It has the added cache of being made into the 1979 film “Stalker” by Russian director Andrei Tarkovsky.

4. Berserker by Fred Saberhagen (1967)

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The cover alone sealed the deal!

Fred Saberhagen’s tale of alien death machines rampaging unimpeded across the universe until they encounter a similarly bloodthirsty foe in the Empire of Man was the very first science fiction novel (actually a collection of Saberhagen’s short stories) I remember buying, right off a supermarket spinner rack in the little prairie town of Red Deer, in the summer of 1985. I had been reading what little science fiction there was in our local library, mainly consisting of a tattered copy of Rocket Ship Galileo and some Dr. Who serializations, and used my allowance money to buy the book with the cool cover that haunted every trip to the store.  Well worth the $4 I plunked on the counter, I read that copy ragged, reading and re-reading it from time to time over the years until finally losing it a few years ago. When I finally tracked down a replacement copy, it had the same loving wear by its previous owners. So what was the appeal of this particular Space Opera to me that I’ve revisited it time and again throughout my life?

Berserker is a collection of stories demonstrating the resilience  and ingenuity of humanity in the face of adversity (“Without a Thought”;”The Peacemaker”); exploring the nature of humanity from both human(“Goodlife”) and cybernetic(“Patron of the Arts”) point of view, and exploring both the benevolent and malevolent facets of the soul existing in a single person(“What T and I did”). There’s even a little comedy (“Mr Jester”).  While the technology is dated and some of the male/female interactions are decidedly sexist to today’s reader, the themes and concepts more than make up for the anachronistic spacecraft and mores. It’s a wonderful introduction to the work of an author whom I rarely hear mentioned these days. If you have trouble finding a physical copy, the entire series is available in Amazon’s Kindle store. I plan on working my way through the rest of the series this year.

 

Children of the Different -S.C. Flynn

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“‘We’ve got to go back,’ she said.

‘Back where?’ Narrah looked shocked.

‘Into the Changeland.’

‘What? Why?’…

…’If we go back into the Changeland, perhaps we’ll find what we need while the memories are still strong.'”

***

Source: Review Copy

Publisher: The Hive

Date of Publication: September 10, 2016

Print Length: 227 pages.

     When the world ends, it ends in madness, leaving few survivors and even fewer still considered human.  Those who survive with their humanity intact live in fear of the technology believed to have caused the apocalypse and of the roving packs of cannibalistic “ferals” that comprise the rest.  Yet life goes on, diminished but not defeated, if only in small settlements such as the one near the outskirts of Perth, Australia, where survivors have banded together into families of necessity, rather than biology.

Young Narrah and Arika have never known another life than this, neither a time when technology worked, nor a time of safety beyond the walls of their settlement.  They’ve also never known a time without “the changing”, a coma-like sleep children fall into upon puberty, from which they either die or return changed, whether into mindless ferals or beings with bizarre and wonderful powers of the mind.  Their friends Wirrah and Toura have already been to the” Changeland”, as it is called, one returning with an unnatural sense of danger, the other as prophetess whose prognostications are infallible.  Yet Narrah and Arika are unique even in a world of the special, sharing a psychic link they refer to as “the path”, an ability inherited from their long dead parents.  Fraternal twins who once shared a womb, they utilize this ability to communicate, whatever the distance between them.

While in the Changeland, Arika finds herself in a reality made up of memories of those who lived before the fall, and meets a malevolent creature who has taken the form of an echidna that preys on those undergoing the changing.  It’s only through the intervention of Narrah (who is able to enter the Changeland by way of their psychic link) that they are both able to escape.  When she awakes, Arika gradually discovers she can mimic the senses and abilities of myriad animals.  Locked up by the settlement’s inhabitants for fear she may become feral, Arika uses her newly found powers to escape and flees with Toura to find Narrah, who has been kidnapped by the City people (those who still believe in science and technology).  Little does she (or Narrah) know, but he’s essential to them by way of the gift he receives on his own journey to the Changeland.   Arika and Narrah, with the help of their childhood friends and the City People, will embark on a journey to unlock the past to save the future.

***

When evaluating whether I’ve enjoyed a novel, I like to imagine the process as akin to a balance, with one arm representing the mechanics of the prose (how well it’s written), the other representing the plot (the framework of the story), and the fulcrum upon which they rest as my resulting enjoyment.  Topple the balance one way or the other and as a reader, I come away dissatisfied.  It’s an especially tricky tightrope to walk (just like mixing metaphors) when the novel has been self published.  In such cases, my balance is relatively flexible, in that I’m willing to forgive rough prose or a loosely developed story as long as its counterpart shifts the balance into equilibrium. Such is the case with S.C. Flynn’s Children of the Different.

The dystopian novel is a well-worn genre in literary circles, whether it be the post apocalyptic world Stephen King’s The Stand, or perhaps more appropriately to our subject, John Wyndham’s The Chrysalids*. In Flynn’s case, he’s travelling well trodden dystopian ground, what with the apocalyptic plague of madness, the loss of technology (and irrational fear of it), the hero’s journey, exemplified in both Narrah and Arika and their individual storylines that inevitably converge, and of course, the idea of the chosen one (or two)  whose path may lead to salvation.  Yet these obvious tropes are manipulated with skillful effect to engage the reader (at least this one) in Narrah and Arika’s exploits, and at the end of the day, leaves the reader wanting more of their story.  It’s not that the plot remains unresolved, but that much of the story falls outside the margins of what we’re allowed to see.  There’s much more to the history of the madness and what led up to it, more of the tale of the twin’s parents and their special connection, and especially, more of Arika and Narrah, whose story is both resolved—yet  not—at the end of the novel. Personally, I’d like to know it.

The other end of the balance is where Children of the Different finds some hurdles to overcome.  At times the author can be overly verbose, specifically regarding the chase scenes, which tend to come across as overlong.  It’s a situation where the use of a professional editor would be useful to tighten the pacing and guard against the aforementioned verbosity while retaining the author’s voice.  Yet it is a quibble rather than criticism, as Flynn’s story more than makes up for the deficit of brevity.  However, as a reader, I must admit to a certain bias regarding concise writing, preferring an economy of words, especially with regards to Young Adult novels, for fear of intimidating the reader.  So it’s a subjective rather than objective criticism, and in the final analysis, the balance between writing mechanics and entertaining story is kept.

Children of the Different is a Young Adult post-apocalyptic novel by S.C. Flynn, an Australian ex-pat currently living in Ireland.  He maintains a blog at scflynn.comChildren of the Different is his debut novel, and I look forward to his future endeavors.

 

*note to self—sit down and read your copy of The Chrysalids.

The Martian–Andy Weir

TheMartian2“Commander,” Beck radioed.  “You need to get to the ship now.”

“Agreed,” Martinez radioed.  “He’s gone, ma’am.  Watney’s gone.”

The four crewmates awaited their commander’s response.

“Copy,” she finally replied. “On my way.”

Source: Netgalley (Review Copy)

Publisher: Crown Publishing

Publication Date: February 11, 2014

When a sandstorm compels NASA to abort the Ares 3 expedition on Mars six days into their month long stay, the team is forced to leave behind a fully functioning habitat, two martian land rovers, millions of dollars of pre-positioned equipment, fifty days of freeze dried food for a crew of six (including fresh potatoes for their Thanksgiving dinner) and one dead astronaut.  Last anyone saw of Mark Watney, flight engineer and team botanist, both he and his EVA suit were compromised, impaled by a communications antenna, tumbling off into the storm with his biometric sensors flat-lined.  Forced by their grave situation to abandon the search for his body, the team leader makes the call and the Martian Ascent Vehicle (MAV) launches, leaving Watney to his fate. 

Fate, living up to its reputation for being fickle, has other plans for Mark Watney.  Against the odds, he survives the suit puncture and impalement and manages to retreat to the expedition’s habitat, which weathered the storm intact.  He’s alive and relatively uninjured.  He has oxygen, water, and food for the next 300 days.  Too bad Ares 4 won’t arrive for another four years, and then around 3200 kilometers from Watney’s refuge. It’s up to him to make his own fate and live to be there when Ares 4 lands.  Watney’s got three things going for him: his ingenuity, his sense of humour in the face of death, and those six potatoes. Thus begins an extraordinary tale of resourcefulness and survival in the tradition of Robinson Crusoe, albeit in a place where everything can kill you.

I first read of Andy Weir’s The Martian early last year while browsing an on-line review.  At the time he was an independent author, and I downloaded a sample with every intention of buying a copy if it proved any good.  Months later, I came across another article mentioning that Weir’s book had been picked up by a mainstream publisher and would be published in February of 2014.  In the meantime, the e-book had become “unavailable” for purchase, a situation which left me somewhat miffed.  However, the publisher was looking for reviewers on Netgalley, so I managed to snag a copy and dug in.

Written from several points of view, the majority being epistolary journal entries by our stranded engineer/botanist, The Martian introduces us to Mark Watney, a thoroughly likeable and extremely resilient character for whom the reader cannot help but root.  He’s no shrinking violet, bemoaning his fate and waiting for the inevitable, but rather your typical “can do” NASA type, working the problem methodically until he achieves one of two results: life; or death.  Throughout the journal, Watney faces many life threatening situations (and some are doozies) and deals with them from an engineering perspective, true to form as…well…an engineer. With this emphasis on problem solving, The Martian is definitely a novel for lovers of hard science fiction, but Weir also develops a character for whom we feel a great deal of empathy, ensuring that the techno-babble doesn’t detract from the story.  The addition of quite a bit of, “you have to laugh or you’ll end up crying,” levity on the part of Watney  helps guarantee the novel not become too dreary. 

One worry I had while reading The Martian was that a novel with a single point of view can limit the author’s ability to build a picture of what’s going on in the greater world (or solar system, in this case).  I wanted to know what the crew were thinking when they presumed Watney dead—and how they dealt with the guilt of leaving a crewmember not just behind, but behind on another planet.  What was going on back at mission control?  How was his family dealing with the loss of their son?   These are all questions that would be impossible to answer had Weir stuck with the epistolary format, so it was satisfying to see him branch out from Watney’s tale and explore those very things.  Transitioning back and forth from Watney’s journal to scenes of his crewmates and people back home gave greater depth to the story than showcasing his tale alone. 

I find generally these days while reading or viewing a movie that it’s hard to get invested in the welfare of the character because you just know that the writer (unless it’s G.R.R. Martin) is not going to do anything too drastic, like kill off the main character.  Knowing that the author won’t take that risk tends to detract from the reader feeling any real investment in a story, but Weir deftly manages to avoid this pitfall.  Every situation Mark Watney faces is written in a way that feels “life or death” in an Apollo 13 sort of way, and until the last few pages of the novel I was unsure as to how things would pan out.  The ingenuity with which Watney, his former crewmates, and the people back on Earth tackle his predicament lends an air of optimism to a novel that could very well have lost itself in the malaise of a man bereft of hope.  Lucky for us, this is not that type of novel.

The Martian is one of those books that you’ll want to read in one or two sittings, maybe even burning a little midnight oil as you follow a lone Martian’s quest to become an Earthling once again.

The Martian will be released by Crown Publishing on February 11, 2014.

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Christmas Fear and Christmas Cheer

So, it’s that time of year again, in which bloggers either do a post on their favourite novels/short stories of the past year or spend some time looking at seasonally topical reads.  The season being Christmas, I’ve been mulling over some suggestions for you this past week.  Unfortunately, mulling isn’t writing, and I’ve found myself feeling like Clark Kent must every time Lois Lane scoops him.

In my case, the character of Lois Lane is played by one Michaela Gray, a.k.a. “The Bookaneerover at GeekPlanetOnline .  Hop on over and check out her article before I give you my list of Christmas themed reads.  I’ll wait.

And…we’re back.  At the risk of being redundant, here’s my list of Christmas tales you should check out.

1.  A Christmas Carol by Charles Dickens

A Christmas CarolThe obvious choice on any Christmas themed list, Dickens’ A Christmas Carol, is the story of Ebenezer Scrooge and his one night journey to redemption after a little rough handling by the spirits of Past, Present and Future.   Universally loved and a book that hasn’t really left the collective consciousness since its publication back in 1843. Now that’s a story with legs.

Beyond the cheery message that no one is beyond redemption, what I find kind of neat about Dickens’ work is that it’s totally a horror novel.  Think about it for a second.  Some poor (well, rich) old geezer tormented by a host of spirits in the dead of night in a drafty old English mansion.  That’s practically a Richard Matheson novel!. A Christmas Carol is truly a classic and deserves top billing on any Christmas themed list.

2.  I Am Scrooge (A Zombie Story for Christmas) by Adam Roberts

ZombieScroogeIt’s to my eternal shame (okay, maybe not eternal–how about transitory?) that Adam Roberts’ re-imagining of Dickens tale has sat on my shelf low this past year without being read.  It’s especially puzzling considering my continued interest in funny zombie novels.  The idea of the three ghosts teaming up with old Ebenezer to combat a hungry horde of shambling zombies and by happenstance save the world is definitely appealing to anyone with an interest in the walking dead.  I’m not sure it will have as happy an ending as the original, but I am sure there’ll be a meal somewhere along the way.  Although I doubt there’s a lot of meat on Tiny Tim, or Scrooge for that matter.

3.  Naughty:  Nine Tales of Christmas Crime by Steve Hockensmith

NaughtySteven Hockensmith is a wonderful mystery writer who’s turned his attention to Christmas themed mysteries on several (at least nine) occasions.  If you’re a fan of the genre and looking for something with a Christmas(y) feel to it, then Naughty is the book for you.  My favourite tale involves the kidnapping of a certain man in a red suit by members of the KGB and Mrs. Klaus efforts to effect his rescue.  Poisoned fruitcake, devious secret santas, and an introduction to Hannah Fox, a character I hope to meet some day in her own novel, all make this a novel that any mystery lover should invest in.  Do yourself a favour and pick it up as either an ebook or print version.  Steve is a master of both mystery and witty dialogue and I’ve had a long history of not being disappointed with his writing.

Speaking of short stories, Arthur Conan Doyle was known for writing a Christmas tale or two involving everyone’s favorite Victorian detective, Sherlock Holmes.  Honourable mention goes to The Adventure of the Blue Carbuncle in which Sherlock shows considerable restraint with regards to a criminal whom he encounters at Christmas.  George Mann has also made an effort to write a series of Christmas themed stories with regards to his wonderful Newbury and Hobbes series of Steampunk detective novels, all of which can be obtained if you pick up a copy of The Casebook of Newbury and Hobbes.  Try reading Christmas Spirits if you’d like a unique take on A Christmas Carol involving a detective on an opium bender during the holidays.

I’m sure there are many more Christmas themed tales that I’m omitting in the course of this holiday post.  If you’ve got a tale or novel to add to the mix, please feel free to enlighten me in the comments, and in the meantime, enjoy yourself a merry little Christmas.

 


Memories of Futures Past

“To the Moon, Alice!”

Ever wanted to read some classic Science Fiction yet been unable to find a copy of your favourite author’s work?  I myself have been fruitlessly looking for a copy of E. E. “Doc” Smith’s Lensmen series for a while now.  Or, say you’re a fan of Murray Leinster.  His works are out there, but few and far between.

Well, someone’s decided to make sure that visions of future past don’t disappear into history. The good people over at engadget have a nice little profile of a bookstore in New York (Brooklyn to be specific) whose proprietors have dedicated themselves to bringing lost and out of copyright Science Fiction back into the mainstream.

Singularity&Co have dedicated themselves to:

Save the SCIFI!

Singularity&Co. is a team of time traveling archivists longing for futures past. 

Each month, our subscribers help us choose a vintage, out of print scifi book to rescue (with the rightsholders’ permission).  We’re bringing forgotten 20th century scifi into the 21st.

They’ve dedicated themselves to scanning rare and classic Science Fiction books into a digital format and then releasing them as ebooks.  If you’re an  aficionado of classic SciFi, these are the people to watch!

(Thanks to Mat Smith at engadget)

Amazon teams up with Her Majesty’s Secret Service

No, Mr. Bond. I expect you to buy!

Good news for fans of Ian Fleming’s classic James Bond novels.  Yesterday, Amazon confirmed that they’ve entered into a partnership with Ian Fleming Publications to license North American publication of the original 007 novels for the next ten years, both print and ebook.

From the release:

“The agreement for the 14 classic James Bond titles includes the first  James Bond book in the series, Casino Royale (1953)–which will celebrate 60 years of publication in 2013–as well as Live and Let Die (1954); Moonraker (1955); Diamonds Are Forever (1956); From  Russia with Love (1957); Dr. No (1958); Goldfinger (1959); For your Eyes Only (1960); Thunderball (1961); The Spy Who Loved Me (1962); On Her Majesty’s Secret Service (1963); You Only Live Twice (1964); The Man With The Golden Gun (1965) and Octopussy and the Living Daylights (1966). Since their first publication the books have sold over 100 million copies worldwide and have been the inspiration behind the world’s longest-running film franchise.”

Great news, especially for Kindle owners!

Of course, the Bond saga didn’t end with Ian Fleming’s death.  Several authors have since taken up the reins and one in particular has had his license renewed.  John Gardner wrote a further 16 Bond novels between 1981 and 1996 and Pegasus books began reissuing them as of October, 2011.

 No news yet (at least as far as I’m aware) of ebook versions.

The Good, the Bad and the Ugly of the eBook Revolution

It seems like you couldn’t look at a book blog the past week without seeing a post on Amazon’s recent press release, noting that they’re now selling more Kindle books than print books. From their  May 19, 2011 press release:

  • Since April 1, for every 100 print books Amazon.com has sold, it has sold 105 Kindle books. This includes sales of hardcover and paperback books by Amazon where there is no Kindle edition. Free Kindle books are excluded and if included would make the number even higher.
  • So far in 2011, the tremendous growth of Kindle book sales, combined with the continued growth in Amazon’s print book sales, have resulted in the fastest year-over-year growth rate for Amazon’s U.S. books business, in both units and dollars, in over 10 years. This includes books in all formats, print and digital. Free books are excluded in the calculation of growth rates.
  • In the five weeks since its introduction, Kindle with Special Offers for only $114 is already the bestselling member of the Kindle family in the U.S.
  • Amazon sold more than 3x as many Kindle books so far in 2011 as it did during the same period in 2010.
  • Less than one year after introducing the UK Kindle Store, Amazon.co.uk is now selling more Kindle books than hardcover books, even as hardcover sales continue to grow. Since April 1, Amazon.co.uk customers are purchasing Kindle books over hardcover books at a rate of more than 2 to 1.

Pretty amazing, considering the Kindle has only been around since 2007.  Revolutionary even.  Of course, every revolution has its casualties and the eBook revolution looks to continue that trend.  There will be repercussions for the publishing industry, retailers, and eventually the consumer.  Let’s explore the good, the bad, and the ugly of the rise of the ebook.

The Good:

  • Ebooks look like they’re here to stay, either in physical format (Kindle, Nook, Kobo et al) or as apps on other platforms such as the Apple iPad or Blackberry Playbook.  Great news for those of us who jumped on the bandwagon early.  No more worries about “niche” markets or disappearing fads.
  • Now that eBooks are no longer unproven technology to publishers, maybe they’ll take a look through the back catalogs and transfer some if not all of their out of print titles to digital format.  It’s always frustrating to hear of a good book only to find that you’ll have to pay through the nose to acquire a rare copy or to find that only selected books in a series have been translated to digital format.  Just recently I was looking for Flashman by George MacDonald Frasier and discovered that the original is not available on Kindle but Flashman and the Tiger is.  (Book eleven?  Really?!)
  • eBooks are discounted in comparison to physical print.  Generally, a new release hardcover costs the same as a pocket novel when bought in eBook format.  The consumer gets a break, and the publisher certainly doesn’t have the overhead that they would with print and shipping costs.
  • It’s much easier for anyone to publish a book.  No more book agents, rejection letters, etc.  Simply write your book, pay your fees to have it digitized, set your price and go.  eBooks could lead to greater variety at lower prices.

The Bad:

  • It’s much easier for anyone to publish a book.  Think about that for a second.  Bad writing, bad or nonexistent editing, spelling errors–publishers have editors work with aspiring and established writers for a reason.  Sifting through a lot of crap to find that rare gem is not something to look forward to.
  •  How is this going to affect editors, literary agents and publishers as a whole?  They’ll still be working with authors to bring product to market, but many authors will forgo their services and self publish in hope of garnering a greater return.  After all, why take a percentage when you can take the whole thing (minus your own minimal costs)?  Furthermore, will literary agents become redundant?  Remember, it was only a few years ago that travel agents were a real thing. (Okay, technically they’re still around.  Used one lately?)

The Ugly:

  • Now that retailers such as Amazon have a foothold on the market, will they (and the publishers) still feel the need to sell eBooks at a reduced price?  One of the biggest draws of eBooks (for me) is their affordability, but as eBooks proliferate the market, what’s to stop the prices from slowly increasing until they are comparable to physical print?
  • Physical print–with the increased pressure of eBook sales and diminished interest in a physical product–will book prices increase?  Will print runs become shorter (and therefore more expensive) due to reduced demand?  Who’s going to pick up that greater expense?
  • What of brick and mortar book stores?  Are they going to go the route of the video store?
  • Technically, you don’t own an eBook, you lease it.  Libraries have already run into problems with publishers who want them to pay up again (re-“lease” their titles) after a certain number of reads.
  • Finally, how long will retailers maintain your eBook catalog?  Say Amazon has a couple of bad years and ends up in bankruptcy.  Then what?

This is all conjecture for the moment.  The industry is too new and the numbers too fluid to make anything but predictions, however, just like any revolution, the eBook revolution will radically transform the publishing industry in a very short period of time. 

 *For further reading on the subject, try John Steele Gordon’s article, ” The End of the Book?”  at the American or a really interesting article by Narasu Rebbapragada at PC World entitled, “E-Book Prices Fuel Outrage–and Innovation.”

Kobo Ereader gets a Touch of Fidelity

Kobo eReader Touch

Awhile back I read through Kevin Maney’s Trade-Off: Why Some Things Catch On, and Others Don’t, an interesting discussion of the conflicting forces that either spell success or failure of a new product or service.  It all comes down to the battle between fidelity (the quality of a consumer’s experience) and convenience (ease of use and price point).  With Kobo’s launch of their new Kobo eReader Touch, they look to be attempting both an eReader  that surpasses the Amazon Kindle in fidelity,or “coolness factor,” while retaining a convenient price point.  Engadget has a nice little review here.

So, advantage Kobo, right?

Well, hang on a second.  You wouldn’t assume the people at Amazon are snoozing at the wheel, would you?  Rumours persist that Amazon is poised to launch their own nifty new touch screen device in the form of a Tablet later this year.   Technology Review has some neat talking points about what the screen might be like and Daemon’s Books has a brief post on how they might market it. 

Getting back to the fidelity vs. convenience argument, the question remains, will Amazon try to trump Kobo (and hey, maybe take a run at the Blackberry Playbook and Apple iPad?) or create a touch screen just slightly cooler than Kobo’s at a similar price with maybe an App or two thrown in?

Psst….I think you should take this call…it’s the President!

“I really think you should take this call.”

And the controversy over ebook lending continues:

 
In another article on the subject of HarperCollins new restrictions on ebook licensing (specifically targeting library lending), Library Journal columnist Michael Kelley recounts Roberta Stevens (American Library Association president) criticisms of the new policy.  From the ALA’s statement regarding HarperCollins decision to limit licenses to 26 viewings before renewal:
 
     “Libraries have a long history of providing access to knowledge, information and the creative written works of authors…We are committed to equal and free access for the millions of people who depend on their library’s resources every day. While demand has surged, financial support has decreased. The announcement, at a time when libraries are struggling to remain open and staffed, is of grave concern. This new limitation means that fewer people will have access to an increasingly important format for delivering information.”
 
She furthermore vowed to work closely with publishers:
 
     “Crafting 21st century solutions for equitable access to information while ensuring authors and publishers have a fair return on their investments is our common goal. The transition to the e-book format should not result in less availability…The marketplace for e-books is changing rapidly. We encourage publishers to look to libraries as a vehicle to reach and grow diverse audiences.”
 
As of this posting, HarperCollins has not changed their position regarding ebook licensing, namely that they’re acting in the interests of the authors and that ebook licensing in perpetuity will result in a reduced profit stream for both publishing houses and authors.  They maintain that the “26 and out” policy is the most equitable way of solving the problem.
 
Frequent readers of this blog (btw, Thanks Mom!) may be wondering by now why I keep coming back to this issue.  After all, I’m not a librarian, and frankly, the last time I was in a library was to rent a movie. (psst…you can rent them all you want)   So, why should this issue matter to you, or me, or any ebook reader that doesn’t use the library?
 
Simply put…look to the future!
 
I don’t know about you, but I don’t want to wake up five years from now, pull out my Kindle 5.0 (Now with Holographic display!) and find that half my digital books are no longer there because all the while some virtual doomsday clock is counting down the seconds until my licenses are considered “expired.”  Furthermore, with the advent of such policies as Amazon Kindle’s new lending feature, who’s to say that publishers won’t institute a similar policy for the general public?
 
To quote a hackneyed phrase, “It’s in Revelation, people!”

Lockout! HarperCollins ebooks to be banned from Libraries?

Never Mess with a Librarian

Well, it looks like messing with Librarian’s isn’t the cakewalk HarperCollins expected it to be.

As of March 7, 2011, several library consortia have decided to suspend any future purchases of ebook licenses from HarperCollins as a direct result of the publisher’s recent decision to enact a license limit of 26 check-outs on ebook titles.

In an article by Michael Kelley that can be found at Library Journal (sorry guys, I know I keep cribbing from you, but who else has the best info on Library news?), the response and concerns regarding HarperCollins actions are chronicled.  Predictably, they’re not happy.  From Joan Kuklinski, executive director of the Central/Western Massachusetts Automated Resource Sharing Consortium:

“The library model has always been you purchase and own it for perpetuity, and I don’t think the format should matter as long as rights are being protected,” she told LJ. “No one tells a library they have to pull their books off the shelf after a certain number of circulations so why should this be different? They are looking at consortia as a threat, and it’s totally the wrong approach,” she said.

Directors of the Upper Hudson Library system have also decided to no longer buy their ebook titles from HarperCollins, calling the decision “patently ridiculous” (oh, fun with puns!) while several other consortiums have hopped on the bandwagon (read the article, I can’t crib everything!).

The best argument against such an arbitrary move is Adri Edwards-Johnson (coordinator of the Virtual Library) video demonstrating that print books have a much longer shelf life than HarperCollins is claiming.  Ouch, awkward moment for the publisher.

So, there we have it.  In their efforts to secure an ongoing profit stream from ebook sales to libraries for themselves, and by extension, the authors they’re claiming to represent, HarperCollins has managed to ensure that neither they nor their authors will see a cent until this issue is resolved.  Furthermore, they’ve managed to damage their brand

I doubt we’ve heard the last of this issue, and suspect that some sort of accommodation will eventually be worked out, but for the moment, it looks like HarperCollins is locked out.