“Do you know what you have to do?”
Ack-Ack Macaque grinned, exposing his teeth.
“Same as I always do, right?” He snapped the reloaded Colt back together and spun the barrel.
“Blow shit up and hurt people.”
Last week, as I sat on a picnic table during a break at work, a co-worker strolled by and saw the title of my latest read, Ack-Ack Macaque, at which point he derisively exclaimed, “Ack-Ack Macaque? What the hell is that?” My reply was oh so very NSFW (not safe for work) and involved a bad pun about sucking “Macaque.” We both groaned at that lame response and went about our business. I’m not relating this story just to prove my ability to come up with horrible puns, but that little incident made me think about how we choose the books we choose to read and how sometimes it simply comes down to a good cover or an amusing title. Frankly, the title Ack-Ack Macaque was what prompted me to read the back cover of Gareth L. Powell’s futuristic novel about a monkey flying ace with attitude. I’ve always been fascinated with flying and fighter pilots—throw in a monkey and some German ninja parachutists—and you have something I just HAVE to read, even if it turns out to be ridiculous.
And then something funny happened—and I don’t mean, funny “ha-ha.” Here I was, reading a book with a monkey in a flying cap wielding a couple of six-shooters on the cover and discovering a book that was more William Gibson than Terry Pratchet. So, a quick synopsis:
Set in the year 2059, Ack-Ack Macaque is in reality three intertwined stories that merge into one narrative by the climax of the novel. The first story is that of Victoria Valois, a former correspondent recuperating from an accident which resulted in the majority of her brain matter being replaced by a synthetic version known as “gelware.” She’s come to London to bury her estranged husband, and possibly investigate the unusual events surrounding his death. Not only was Paul murdered, but during the course of the crime the culprit removed his brain, and with that, his soulcatcher, a piece of hardware implanted in every citizen to create a recording of their personality that lives on for a short time after death. After coming face to face with the killer—and in the process having her own soulcatcher stolen (kidnapped?)—Victoria discovers that Paul’s death is in some way connected with his employer, Céleste Industries.
The second story involves His Royal Highness, Prince Merovich, the Prince of Wales and heir to the throne of the United Kingdoms of Britain and France—the two countries having been merged for a century—who gets tangled up with the illicit activities of his girlfriend Julie. She’s a rights activist, and with a small cohort of friends, they are about to raid Céleste Industries in the hopes of freeing what they believe to be the first sentient artificial intelligence, that of a pistol packing, spitfire flying, whiskey drinking Macaque by the name of Ack-Ack who is the central character of an on-line virtual reality game. Merovich is crucial to Julie’s plan, by way of his being the son of Céleste Industries owner, her Grace Alyssa Célestine, herself Regent of the combined commonwealth due to a terrorist act that left the King incapacitated. Merovich also has a connection to Valois in the shared accident that resulted in her augmentation.
The third story is of what—or rather who–Merovich and Julie find when they infiltrate the facility. I think by now you may have an idea about who that might be. Together, they uncover the sinister plot of a cult known as the “Undying” involving androids, the first terraforming probe to Mars and possibly the end of the world through nuclear annihilation, unless Victoria, Merovich, Julie and a seriously pissed off macaque named Ack-Ack can find a way to stop them.
With Ack-Ack Macaque, Powell has proved himself an adept world builder, creating a convincing near future world in which the idea of a sentient monkey is not so far-fetched, which, to my mind is a pretty tall order. He’s also added Steampunk elements to an alternate history novel that is not necessarily Steampunk, but will appeal to fans of the genre. The ubiquitous skyliners (modified zeppelins) are there, but updated to be more demonstrative of real world technology. No steam–all nuclear, and a realistic look at the direction technology can take us. Artificial intelligence, huge leaps in medical technology, the idea of a back-up consciousness housed in a cranial hard drive, seamlessly blended into the background of a world that could very well be mistaken for our own—just projected another fifty years or so down the road. The idea of a history in which France and England merged into a larger commonwealth with a shared monarchy does not seem an unrealistic possibility either.
As for the characters, Powell manages to capture Victoria Valois’ frustration and determination in the face of what was a debilitating accident, and her dogged resolve to solve Paul’s murder and bring the culprits to justice. Merovich is a smart, yet somewhat naïve young man, rashly allowing his girlfriend to lead him into situations that an older man might think twice about, but with the wisdom to recognize when the situation calls for a more serious approach, likely the result of his experience in the incident that maimed Valois. Julie comes across as a true believer with her own rigid moral code, willing to risk her own safety to free an independent intelligence that may only exist on a flash drive, while Ack-Ack—well, let’s just say he’s got a mean disposition and a very good reason to want to blow some shit up.
Actually, there’s more to Ack-Ack Macaque than just a grumpy monkey. Here’s a character that has to contend with the knowledge that everything he’s ever accomplished, the people he has cared for, are simply part of a computer simulation. In other words—he has to deal with knowing his life has been a lie. In learning the truth, he’s also been set free to pursue bloody vengeance against those who treated him as a toy.
If there’s any complaint to be had with Ack-Ack Macaque, it’s that we don’t really get to see the villain fully fleshed out. It’s evident early on in the novel who their common foe is, but without a narrative from the villain’s point of view, I found myself wanting to understand their motivation a little better. The opponent is mentioned many times and the protagonists deal with the villain’s minions on several occasions, but when the reader finally meets the antagonist, it’s so brief they feel like a plot device rather than an important character. Having said that, this lack of motivational description doesn’t detract from the novels best features, namely a bunch of wounded characters (literally and figuratively) pressed together by circumstance to accomplish the same goal. You know—saving the world.
Gareth L. Powell is the author of Ack-Ack Macaque and its forthcoming sequel Hive Monkey. He maintains a website at www.garethlpowell.com and both Gareth and Ack-Ack Macaque can be found on twitter, engaging in hilarious conversations.